| Composer |
Title |
Instrumentation |
Comments |
Link |
| L. van Beethoven |
Ode to Joy |
String Quintet: 2 violins, viola, cello, bass |
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| L. van Beethoven |
Ode to Joy |
Woodwind Quartet: flute, oboe, clarinet, bassoon |
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| L. van Beethoven |
Ode to Joy |
Woodwind Quintet: flute, oboe, clarinet, horn, bassoon |
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| L. van Beethoven |
Symphony No. 7: Finale Theme |
String Quintet: 2 violins, viola, cello, bass |
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| L. van Beethoven |
Symphony No. 7: Finale Theme |
Woodwind Quartet: flute, oboe, clarinet, bassoon |
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| L. van Beethoven |
Symphony No. 7: Finale Theme |
Woodwind Quintet: flute, oboe, clarinet, horn, bassoon |
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| J. Brahms |
Hungarian Dance No. 5 |
Woodwind Quartet: flute, oboe, clarinet, bassoon |
The folk tune made famous by Johannes Brahms. |
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| J. Brahms |
Hungarian Dance No. 5 |
Woodwind Quintet: flute, oboe, clarinet, horn, bassoon |
The folk tune made famous by Johannes Brahms. |
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| J. Brahms |
Hungarian Dance No. 5 |
String Quintet: 2 violins, viola, cello, bass |
The folk tune made famous by Johannes Brahms. Features a cello part inspired by the traditional Hungarian ütőgardon (percussive cello) and the three-string bass typically used in the folk music of central and eastern Europe. |
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| Lehar-Strauss |
Viennese Waltz Medley |
Clarinet Duet & Piano |
for two clarinets and piano. Includes Strauss's "Voices of Spring," "Die Fledermaus," and "The Blue Danube," as well as the waltz from "The Merry Widow" by Franz Lehar. |
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Please note that while practically all string quartet music on this site may be adapted for use with a larger ensemble, selections in this category are designed specifically for performance in such a set-up.
| Composer |
Title |
Instrumentation |
Comments |
Link |
| J.S. Bach |
Arioso |
String Orchestra & Oboe Solo |
for oboe and string orchestra—Bach's original instrumentation of the sinfonia to Cantata BWV 156 (later repurposed as the middle movement of his Harpsichord Concert No. 5 in f minor, BWV 1056.) |
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| J.S. Bach |
Arioso |
String Orchestra & Violin Solo |
The sinfonia to Cantata BWV 156, later repurposed as the middle movement of the Harpsichord Concert No. 5 in f minor (BWV 1056.) |
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| J.S. Bach |
Arioso |
String Orchestra & Viola Solo |
The sinfonia to Cantata BWV 156, later repurposed as the middle movement of the Harpsichord Concert No. 5 in f minor (BWV 1056.) |
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| J.S. Bach |
Arioso |
String Orchestra & Cello Solo |
The sinfonia to Cantata BWV 156, later repurposed as the middle movement of the Harpsichord Concert No. 5 in f minor (BWV 1056.) |
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| J.S. Bach |
Arioso |
String Orchestra & Double Bass Solo (orchestral tuning) |
The sinfonia to Cantata BWV 156, later repurposed as the middle movement of the Harpsichord Concert No. 5 in f minor (BWV 1056.) |
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| J.S. Bach |
Arioso |
String Orchestra & Double Bass Solo (solo tuning) |
The sinfonia to Cantata BWV 156, later repurposed as the middle movement of the Harpsichord Concert No. 5 in f minor (BWV 1056.) |
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| G.F. Handel |
Arrival of the Queen of Sheba |
String Orchestra & 2 Oboes |
for string orchestra and two oboes—Handel's original scoring. Also known as "Entrance of the Queen of Sheba," from the oratorio Solomon. |
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| G.F. Handel |
Arrival of the Queen of Sheba |
String Orchestra |
arranged for string orchestra only. Also known as "Entrance of the Queen of Sheba," from the oratorio Solomon. |
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| W.A. Mozart |
Eine kleine Nachtmusik: I. Allegro |
String Orchestra |
The first movement of a very reliable and critically accurate edition, created in direct consultation with a facsimile of the autograph manuscript. Available only at www.freegigmusic.com (Please note that the original work was intended either for string orchestra or string quintet.) |
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| W.A. Mozart |
Eine kleine Nachtmusik: II. Romance |
String Orchestra |
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| W.A. Mozart |
Eine kleine Nachtmusik: III. Menuetto & Trio |
String Orchestra |
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| W.A. Mozart |
Eine kleine Nachtmusik: IV. Rondo |
String Orchestra |
|
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